Final Cut Pro revolutionizes post-production with 360° video, HDR, and advanced tools for color correction. Try it now with a free 90-day trial. If you just want video editing, Final Cut Pro is by far the cheapest. A one-time payment of $299.99 will get you Final Cut Pro. Adobe Premiere will cost $21 / month for a 12 month commitment (or you can prepay $240 for the year). Do you also see yourself using photoshop or a motion graphics program?
I've written about how to move:
* An FCP 7 project to Premiere Pro
* An FCP 7 project to FCP X
* An FCP X project to Audition
* An FCP X Project to Premiere Pro CC
So, in this article, I want to show you how to move a Premiere Pro CC project to Final Cut Pro X.
We do this in three steps:
- Export the Premiere project as an XML file
- Convert the XML file into something Final Cut can read
- Import the XML file into Final Cut Pro X
However, there are some cautions in this process: Not everything transfers perfectly. I'll talk more about this at the end. Xbox support phone number.
INSIDE PREMIERE
Here's a typical project inside Premiere. There are several things to note here:
- All media is linked, nothing is off-line
- There are multiple tracks of audio, most of which are stereo pairs
- There are multiple layers of video
- There are multiple text clips
- There are dissolves between B-roll clips
Notice that all stereo audio starts on an odd-numbered track. This is important. Most software assumes that stereo pair audio will be on two separate tracks and further assumes that the left channel starts on an odd track. I have found that I get the most reliable transfers when working with multi-track stereo audio when the left channel is placed on an odd-numbered track. (Premiere does not care if there are gaps between audio clips, nor if an entire audio track is left blank.)
NOTE: This project is based on an older Premiere project, where stereo audio spanned two tracks. In the current version of Premiere, stereo audio can appear as a single clip in a single track. When moving projects between Premiere and FCP X, whether stereo audio is on one or two tracks does not make a difference; as long as when audio spans multiple tracks, the left channel is placed on an odd-track.
Thinking about text, notice the text color and formatting in this opening title…
Final Cut Pro Review
…and the formatting of this locator text.
To transfer a project from Premiere, select the project in the Project panel. Then, choose File > Export > Final Cut Pro XML.
Give the XML file a name and storage location. Here, I'm calling it 'Dr. Cerf Documentary (Transfer)' and storing it to the Desktop.
A warning message appears, indicating if Premiere had any problems with the transfer. Hot to screenshot on windows.
In this case, all problems relate to audio levels. (This is the Translation Results report from this export. Different projects will generate different reports.)
After a few seconds, the XML file appears on the Desktop.
NOTE: XML files are very small – generally, just a few hundred KB. They are only needed to transfer information from one program to another. Once the data has been transferred, the XML file can be deleted. For this reason, I tend to store them to the Desktop to make them easy to find and delete when this process is complete.
CONVERTING FOR FINAL CUT PRO X
FCP X and Premiere use different versions of XML, so we need to convert the XML file so that Final Cut can read it. This requires a utility from Intelligent Assistance called: '7toX' — it's available in the Mac App Store for $9.99. Here's the link.
Either start the application and select the XML file, or, much easier, simply drag the XML file on top of the application icon. This dialog asks what you want to do with the converted XML file.
- Send to Final Cut Pro X converts the XML file, opens FCP X, and imports the file into a new Library; all automatically.
- Save XML file converts the XML file and saves it to the Desktop.
While sending the file to FCP X is the fastest, when it comes to transferring files, I tend to be a 'belt-and-suspenders' kind of guy. I prefer to do this in two steps:
- Convert the XML
- Import it into a Library in FCP X
So, I chose the 'Save XML File' option, gave it a name and storage location and clicked Save. The translation process starts and only takes a few seconds.
IMPORT INTO FINAL CUT PRO X
Start Final Cut and create a new Library.
NOTE: Creating a new Library is optional, as you'll see in a minute, but I prefer to transfer projects to their own library.
Choose File > Import > XML. Select the converted XML file and click Import.
The transferred project is imported as its own event, with the sequence and media inside. (This is why creating a new library is optional.)
As you would expect, the project and all media are displayed in the Browser.
THINGS CHANGE My passport mac not mounting.
Here's what the transferred project looks like, inside FCP X.
Final Cut Pro X Price
- All clips and edits transferred successfully; no media went off-line
- Audio was properly converted to stereo clips.
- All audio cross-fade durations were set correctly, and the fade shape was set to +3 dB (the default setting in FCP X)
- Text clips were inserted with proper duration and location, but the text itself was lost
- Clip scaling was ignored, all clips were imported with Spatial Conform set to 'Fit.'
NOTE: In discussing this article with the folks at Intelligent Assistance I was told they have encountered issues where Premiere can play media that isn't recognized by FCP X because it wasn't ingested and rewrapped as MOV. This just points up that it is important to transfer files ahead of your deadline so you have time to fix problems if they occur.
SUMMARY
If I were doing this for real, rather than writing an article about the process, transferring files is very fast. Assuming all software is installed, moving large projects from Premiere to FCP X would generally take a couple of minutes, at the most.
In today's interconnected world, moving edits from one application to another is fast and easy. The trick is knowing what transfers and what doesn't. Media and edits are ALWAYS safely transferred. The issues all relate to effects.
EXTRA CREDIT
As we've just seen, because of the differences between Premiere and Final Cut Pro X, not everything transfers successfully. We have similar problems when sending files between different versions of Final Cut, Avid and Premiere.
While all edits and most media transfer successfully between applications, most wipes, effects and color grading do not. This is because each application handles these differently which means that the best time to transfer files is when the edit is complete but effects are not yet started. Here's a white paper from Intelligent Assistance providing more details on what transfers and what doesn't.
Tasks 1 0 1. Also, the following suggestions on media are taken from the 7toX help files:
Carefully consider the media format of your video clips. For example, Final Cut Pro X can support R3D clips directly, whereas Final Cut Pro 7 needs RED QuickTime Wrapper versions of the clips. Black video usually means that your NLE is missing a plug-in. If you've installed a Final Cut Pro X plug-in to support your camera's format, then you'll need to download and install a version for Final Cut Pro 7 or Premiere Pro. (Import a clip directly into Final Cut Pro 7 or Premiere Pro to see if the camera format is supported.) The most reliable way to get media that works in Final Cut Pro 7, Premiere Pro and Final Cut Pro X is to transcode to your favorite flavor of ProRes.
Bookmark the permalink.Cover image via
If you're looking for a solution to bring your Final Cut Pro X videos into Premiere Pro, this would be it! In the following video, Dan Allen shows you how to convert your FCPX projects for Premiere Pro.
Ideally it's always a good idea to start your rough edits in the same application you'll be finish editing with (and maybe use some specialized applications along the way for graphics and color grading). Whenever you bounce between editing apps some things will no doubt get ‘lost in translation'.
That being said, there are instances when you may need to ‘convert' your video editing projects from one app to another. Maybe you've outgrown your more basic editing solution (in this case FCPX) and are in need of a more robust alternative (Premiere Pro). Premiumbeat favorite Dan Allen, shares his workflow for getting Final Cut Pro X projects into Premiere Pro, as well as the pros and cons of this workflow.
FCPX projects will not automatically open up in Premiere. So, to make the conversion you'll need a utility app called Xto7. Intially it was designed to open up Final Cut Pro X projects in Final Cut Pro 7, but it also works with Premiere. The app will set you back $50, but for the pro editor that's making a big switch from FCPX to Premiere it's a small price to pay.
You can download Xto7 over at the Mac Store.
* An FCP 7 project to Premiere Pro
* An FCP 7 project to FCP X
* An FCP X project to Audition
* An FCP X Project to Premiere Pro CC
So, in this article, I want to show you how to move a Premiere Pro CC project to Final Cut Pro X.
We do this in three steps:
- Export the Premiere project as an XML file
- Convert the XML file into something Final Cut can read
- Import the XML file into Final Cut Pro X
However, there are some cautions in this process: Not everything transfers perfectly. I'll talk more about this at the end. Xbox support phone number.
INSIDE PREMIERE
Here's a typical project inside Premiere. There are several things to note here:
- All media is linked, nothing is off-line
- There are multiple tracks of audio, most of which are stereo pairs
- There are multiple layers of video
- There are multiple text clips
- There are dissolves between B-roll clips
Notice that all stereo audio starts on an odd-numbered track. This is important. Most software assumes that stereo pair audio will be on two separate tracks and further assumes that the left channel starts on an odd track. I have found that I get the most reliable transfers when working with multi-track stereo audio when the left channel is placed on an odd-numbered track. (Premiere does not care if there are gaps between audio clips, nor if an entire audio track is left blank.)
NOTE: This project is based on an older Premiere project, where stereo audio spanned two tracks. In the current version of Premiere, stereo audio can appear as a single clip in a single track. When moving projects between Premiere and FCP X, whether stereo audio is on one or two tracks does not make a difference; as long as when audio spans multiple tracks, the left channel is placed on an odd-track.
Thinking about text, notice the text color and formatting in this opening title…
Final Cut Pro Review
…and the formatting of this locator text.
To transfer a project from Premiere, select the project in the Project panel. Then, choose File > Export > Final Cut Pro XML.
Give the XML file a name and storage location. Here, I'm calling it 'Dr. Cerf Documentary (Transfer)' and storing it to the Desktop.
A warning message appears, indicating if Premiere had any problems with the transfer. Hot to screenshot on windows.
In this case, all problems relate to audio levels. (This is the Translation Results report from this export. Different projects will generate different reports.)
After a few seconds, the XML file appears on the Desktop.
NOTE: XML files are very small – generally, just a few hundred KB. They are only needed to transfer information from one program to another. Once the data has been transferred, the XML file can be deleted. For this reason, I tend to store them to the Desktop to make them easy to find and delete when this process is complete.
CONVERTING FOR FINAL CUT PRO X
FCP X and Premiere use different versions of XML, so we need to convert the XML file so that Final Cut can read it. This requires a utility from Intelligent Assistance called: '7toX' — it's available in the Mac App Store for $9.99. Here's the link.
Either start the application and select the XML file, or, much easier, simply drag the XML file on top of the application icon. This dialog asks what you want to do with the converted XML file.
- Send to Final Cut Pro X converts the XML file, opens FCP X, and imports the file into a new Library; all automatically.
- Save XML file converts the XML file and saves it to the Desktop.
While sending the file to FCP X is the fastest, when it comes to transferring files, I tend to be a 'belt-and-suspenders' kind of guy. I prefer to do this in two steps:
- Convert the XML
- Import it into a Library in FCP X
So, I chose the 'Save XML File' option, gave it a name and storage location and clicked Save. The translation process starts and only takes a few seconds.
IMPORT INTO FINAL CUT PRO X
Start Final Cut and create a new Library.
NOTE: Creating a new Library is optional, as you'll see in a minute, but I prefer to transfer projects to their own library.
Choose File > Import > XML. Select the converted XML file and click Import.
The transferred project is imported as its own event, with the sequence and media inside. (This is why creating a new library is optional.)
As you would expect, the project and all media are displayed in the Browser.
THINGS CHANGE My passport mac not mounting.
Here's what the transferred project looks like, inside FCP X.
Final Cut Pro X Price
- All clips and edits transferred successfully; no media went off-line
- Audio was properly converted to stereo clips.
- All audio cross-fade durations were set correctly, and the fade shape was set to +3 dB (the default setting in FCP X)
- Text clips were inserted with proper duration and location, but the text itself was lost
- Clip scaling was ignored, all clips were imported with Spatial Conform set to 'Fit.'
NOTE: In discussing this article with the folks at Intelligent Assistance I was told they have encountered issues where Premiere can play media that isn't recognized by FCP X because it wasn't ingested and rewrapped as MOV. This just points up that it is important to transfer files ahead of your deadline so you have time to fix problems if they occur.
SUMMARY
If I were doing this for real, rather than writing an article about the process, transferring files is very fast. Assuming all software is installed, moving large projects from Premiere to FCP X would generally take a couple of minutes, at the most.
In today's interconnected world, moving edits from one application to another is fast and easy. The trick is knowing what transfers and what doesn't. Media and edits are ALWAYS safely transferred. The issues all relate to effects.
EXTRA CREDIT
As we've just seen, because of the differences between Premiere and Final Cut Pro X, not everything transfers successfully. We have similar problems when sending files between different versions of Final Cut, Avid and Premiere.
While all edits and most media transfer successfully between applications, most wipes, effects and color grading do not. This is because each application handles these differently which means that the best time to transfer files is when the edit is complete but effects are not yet started. Here's a white paper from Intelligent Assistance providing more details on what transfers and what doesn't.
Tasks 1 0 1. Also, the following suggestions on media are taken from the 7toX help files:
Carefully consider the media format of your video clips. For example, Final Cut Pro X can support R3D clips directly, whereas Final Cut Pro 7 needs RED QuickTime Wrapper versions of the clips. Black video usually means that your NLE is missing a plug-in. If you've installed a Final Cut Pro X plug-in to support your camera's format, then you'll need to download and install a version for Final Cut Pro 7 or Premiere Pro. (Import a clip directly into Final Cut Pro 7 or Premiere Pro to see if the camera format is supported.) The most reliable way to get media that works in Final Cut Pro 7, Premiere Pro and Final Cut Pro X is to transcode to your favorite flavor of ProRes.
Bookmark the permalink.Cover image via
If you're looking for a solution to bring your Final Cut Pro X videos into Premiere Pro, this would be it! In the following video, Dan Allen shows you how to convert your FCPX projects for Premiere Pro.
Ideally it's always a good idea to start your rough edits in the same application you'll be finish editing with (and maybe use some specialized applications along the way for graphics and color grading). Whenever you bounce between editing apps some things will no doubt get ‘lost in translation'.
That being said, there are instances when you may need to ‘convert' your video editing projects from one app to another. Maybe you've outgrown your more basic editing solution (in this case FCPX) and are in need of a more robust alternative (Premiere Pro). Premiumbeat favorite Dan Allen, shares his workflow for getting Final Cut Pro X projects into Premiere Pro, as well as the pros and cons of this workflow.
FCPX projects will not automatically open up in Premiere. So, to make the conversion you'll need a utility app called Xto7. Intially it was designed to open up Final Cut Pro X projects in Final Cut Pro 7, but it also works with Premiere. The app will set you back $50, but for the pro editor that's making a big switch from FCPX to Premiere it's a small price to pay.
You can download Xto7 over at the Mac Store.
Although the translation between apps is quick, it certainly isn't fool proof. Titles created in FCPX will not open up in Premiere. Mixed resolution projects will not auto scale to the frame size you have set in Premiere Pro. Also, any 5.1 surround sound mixing you do in FCPX won't carry over (more on this robust audio tool here).
However, these are all pretty small setbacks when you take into account the time it would take to rebuild a FCPX project in Premiere. Plus, you'll now have access to a nice post production workflow, using the tools in Audition and After Effects.
Final Cut Pro Tutorial
Android sur pc windows 7 64 bit. See the Final Cut Pro X to Premiere Pro workflow in action:
